DENTAXUVIA
Chapter 1: Corporeal Conversations
AR, Performance, Sculpture, Poetry, and Video Games
Antigoni Tsagkaropoulou and Huntrezz Janos
Co-Presented by Transfer Gallery
with support from Onassis ONX
November 16th, 2024 – January 18th, 2025
Opening reception: Saturday, November 16th, 2024
Closing reception: Saturday, January 18th, 2025
Off-Site Performance at Gray Area’s Grand Theater: Friday, January 10th, 2025
Dentaxuvia is an expanded reality (XR) project, by Los Angeles based artists Antigoni Tsagkaropoulou and Huntrezz Janos, that blends performance, games, augmented reality, interactive sculptures, and poetry, in a science fiction visual explosion, complicating the boundaries between the tangible and the intangible. It began as a mixed reality live performance, which premiered at REDCAT Disney CalArts Theatre in 2023.
For their first solo show as a team, Antigoni & Huntrezz transform their theatrical performance into an interactive installation, inviting the audience to inhabit their environment, interact with their augmented reality avatars, and play their video game – assuming the roles of characters within the Dentaxuvia narrative, making each playthrough a unique performance.
The result is an act of queer resistance that takes audiences on a supernatural journey, igniting the belief that anyone can shed old skins and reclaim agency in the face of oppressive regimes.
ABOUT THE ARTISTS
Huntrezz Benjamin Janos Hunter is as much herself as she is the information being relayed to you now through this sequence of symbols. Born to Hungarian architect Szabó Gyöngyi and metal icon Scoonie Gee Hunter in Los Angeles, CA, Huntrezz is a light-speed organism determined to reach a distant Antarctic destiny by way of a circuitous path of digital synthesis involving animated video/game art, 3D printed armor, Augmented Reality, sustainable architecture, and rhyme performance along with a laundry list of other, increasingly esoteric practices. Janos emerges from her various disguises to present afro-futurist media designed to delight, confound, and confront those of us entangled in this epoch. She has showcased her work across platforms such as Redcat, Honor Fraser Gallery, Tate Museum, The Modern, MoMA, Adult Swim, Postmaster’s Gallery, Vellum LA, Transfer Gallery, The Athens Biennale, LACMA, Photographer’s Gallery, Torrance Art Museum, and Onassis ONX. She has a BFA from the California Institute of the Arts and an MS from the University of Southern California.
Antigoni Tsagkaropoulou (b. 1993) is a multidisciplinary artist from Athens, Greece based in Los Angeles, California. Their work spans video, installation, performance, and sculpture, forming experimental, immersive, interactive, and cinematic environments. Their world-body-building practice centers on themes of softness, deviance, kinship, affect and community building as resistance tools for a queer transfeminist universe. They are Inspired by sci-fi literature, speculative fiction, queer poetry, feminist cinema, creating radically fluffy hubs for unruly presents and hope-punk futures.
Antigoni is currently a Ph.D. candidate in Media Arts and Practice at USC School of Cinematic Arts. They also hold an MFA in Media Arts from UCLA School of the Arts and Architecture, and a BFA in Sculpture from the Athens School of Fine Arts in Greece. They have received numerous scholarships and awards, including from the Fulbright Foundation, the Onassis Foundation, and the ARTWORKS Fellowship from the Stavros Niarchos Foundation.
Their work has been exhibited at prestigious venues and showcased at festivals such as the Arnolfini Center of Contemporary Arts in Bristol (Solo Show), Honor Fraser Gallery in L.A., REDCAT Roy and Edna Disney CalArts, Hebbel Am Ufer in Berlin, WICKED Queer Film Festival, Thessaloniki TIFF, Wrightwood 651, Athens Biennale, Berlin Biennale, Thessaloniki Biennale, and the National Opera of Greece, among others. They have collaborated and worked with notable artists such as William Pope.L (document 14), Annie Sprinkle (document 14), Annea Lockwood and La Pocha Nostra.
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