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PRESS
Hyperallergic
Brian Karl on David Bayus’s AI-Infused Gender Burlesque
SF Examiner
Art Critic Max Blue on Sandy Williams IV’s 40 ACRES: Weeksville
SF/Arts
SF/Arts curator Mark Taylor highlights House of Reasoned Truths
KQED
Film critic Michael Fox on David Bayus’ The Virion Transit
San Francisco Examiner
Writer Max Blue on Leila Weefur’s Play†Prey
The San Franciscan
Writer Max Blue on art, community, and the perseverance of San Francisco’s gallery scene, amidst the pandemic, with Telematic, among others.
Network Cultures (Amsterdam)
Critical theorist Natasha Chuck on Carla Gannis’ wwwunderkammer
Hyperalleric, Sept. 2021
Charlotte Kent on the Aesthetics of Misinformation, with commentary on Caroline Sinders’ Architectures of Violence at Telematic.
The Brooklyn Rail
Charlotte Kent, Review of The Archive to Come, curated by Carla Gannis and Clark Buckner
Clot Magazine
Charlotte Kent, Review of Carla Gannis’ WWWunderkammer
Blythe Sheldon, Review of Eternal Boy Playground, Anxious to Make (Liat Berdugo and Emily Martinez)
CreativeApplications.Net
Daniel J Glendening, profile of Peter Burr, published in conjunction with Responsive Eye: An Exhibition in Three Parts
48 Hills
Fall Arts Preview: 10 Can’t Miss Art Shows, Preview of Farm and Friends - in 3D!, Dale Hoyt with David Lawrence, Monet Clark, Cliff Hengst, Fred Rinne, Beth Stephens & Annie Sprinkle, Gabrielle Thormann, Mary Elizabeth Yarbrough, and Steve Thurston
Amanda Choudhary, Video review of Farm and Friends - in 3D!, Dale Hoyt with David Lawrence, Monet Clark, Cliff Hengst, Fred Rinne, Beth Stephens & Annie Sprinkle, Gabrielle Thormann, Mary Elizabeth Yarbrough, and Steve Thurston
Sarah Hotchkiss, Review of Thundercoat, Bonanza, LLC (Lindsay Tully, Lana Williams & Conrad Guevara)
Artforum
Genevieve Quick, Review of If AI were Cephalopod, Orphan Drift (Ranu Mukherjee and Maggie Roberts)